A unique phenomenon among artisans of the period was the creative work of Hryhorij Ks’onz (1874-1946). Ks’onz studied in Myrhorod with the icon-painter Mykhajlo Khymochko, and worked with the artists Otryshko (Romny) and Rudych (Khomutets’); in 1923 or 1924 he began working on his own. Although some examples of Ks’onz’s icon painting have survived, of more value to us are his portraits, which he painted for the residents of the city of Myrhorod and many of the surrounding villages. These portraits reflect the dignity and self-respect of the subjects who, in a quiet yet celebratory manner, posed for the artist -- as if posing before a camera lens. Ks’onz painted only the heads and hands of his subjects from life; but in a somewhat “standard” execution, which differed from his treatment of background landscapes that were saturated with greens and blues, or from the intricate and decorative details of the clothing worn by his subjects (embroidered shirts, wrap-around skirts-“plakhty”, brocade aprons). These works are truly representative of village portraiture.

Kim Skalats’kyj.
The folk painting and folk icon of the Poltava Region.
Rodovid, # 16, 1997, p.46.


 
 
hryhorij ksondz
 
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